Inez Storer, an imagined surreal journey My work usually has an aspect of implied history, both through the use of the figure as well as objects that are a part of my “home” collections. The figures have a tendency to be slightly off balance, or passing from one reality to another. The absurd is of […]
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Andrew Myers, faces in prints to installations Loud & Clear Andrew’s second charcoal drawing from a new series that he’s creating is called Loud & Clear – measures 48″ x 72″ on a gesso wood panel – Charcoal and stamped oil paint. Original and prints available. Hey Baby 48″ x 48″ Over 600 Recycled Wood
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Linda Friedman Schmidt in the Every Woman Biennial Linda Friedman Schmidt – I am very excited to be included in the Every Woman Biennial, an extraordinary All Women Art Biennial and Film Festival founded and curated by artist Christine Finley. She has created an opportunity for self-identifying women artists to cross-pollinate with each other across
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Ellen Soderquist, drawings of figures wrapped in rapture Rapt Cocoon Series Both of the series, Rapt Cocoon and Rapt Shadow, began with a play on the words: wrapped and rapture. Initially, the imagery for Rapt Cocoon was influenced by Egon Schiele’s drawings of himself wrapped in his prison cell blankets while serving a sentence for
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Toni Armstrong, figurative painting from New Zealand When I am working in abstract, I tend to have a theme that is current in mind. I find objects that reflect that thought and disassemble and reassemble using shapes. It is very organic and when it reassembles it is always in the form of the original subject
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Annette Nieukerk, mixed media in praise of older women BIO Now in her fifth decade of art practice, Annette has had a varied career spanning disciplines, media and genre. As a young artist, she depicted the prairie landscape using silkscreen printing as her medium of choice. Then in mid career, Annette became passionately involved in
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Katha Rossein, figurative archival dye sublimation on metal Studying Fine Arts at NYU during the late 1960’s was a time fraught with political movements both from the anti war movement to civil rights to the woman’s movement and my training as both a painter and print maker quickly combined using figurative expression to speak to
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Carole Belliveau, strongly rooted in renaissance religious iconic art with gold leaf My Inspiration is grounded in the spirit of the natural world. My paintings depict the beautiful, ethereal, sacred and eternal as a visual counterpoint to the profane in contemporary culture. The idealized child is a frequent symbol of this vision. Like a sprite
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