Rose Mary Gates, exploring diversity of human face & figure My interest in recent years has been in exploring diversity of the human face and figure which led to creating graphite, pastel and oil portraits. The subjects of my paintings are images of people that have captured my imagination because of the expression on their […]
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Cathy Locke, brushwork & mark making influenced by Russian Art I hold a B.F.A. from Art Center College of Design and a M.F.A. from the Academy of Art University, both with honors. I currently teach a variety of figurative courses in the graduate department at the Academy of Art University in San Francisco. I have
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Karen Cooper, capturing people & their daily routines Painting People’s Stories Karen is a figurative painter, who spent her college years at the University of Nebraska, Lincoln, sampling just about every department available, with textile and fashion design eventually seizing most of her attention. That course of study required a fair amount of drawing classes
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Matteo Mauro, digital reinterpretations of Rococo engraving The study of the technique of artistic printmaking and Rococo picture content, leads the artist Matteo Mauro’s research to a series of contemporary experiments to offer digital reinterpretations of Rococo theories of engraving. The author defines Micromegalic Inscriptions as computational approaches of generating dynamic engravings, from fictional landscapes
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David Goatley, Portrait of Maharaja of Jaipur David is deeply honoured to share his portrait of the Maharaja of Jaipur. He visited Jaipur, India in January 2017 where he met with His Highness for a photo shoot at City Palace. This official portrait is now part of the Royal Collection overseen by the Maharaja Sawai
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Raelis Vasquez, juxtaposing figures and historical context The application of the visual communication and conventions of unity, history, and diversity of the narratives in my paintings creates a juxtaposition between the figures and the historical context. This forces ambiguity and perplexity within the voice of my work. I am most focused on the usage of
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Paula Saneaux, the fragility of life and social standards I portray stories, feelings or interpretations of female objectification, female self-objectification, the fragility of life and social standards. My paintings are mainly created in acrylics and are characterized by gray, dark and/or primary colors because of a melancholy my characters represent. The subjects that I depict
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Kelly Thiel, branching out into painting from ceramics Some people know me for my clay and others know me for my paintings. I think I will always work in both mediums. To me, I am simply working to get these narratives out in the world, no matter what medium I am working in. My artwork
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