Robyn Cochran-Ragland, lively pastel life drawings I am forever pulled by the simplicity and complexity of the human figure. I attempt to capture a pose quickly and fluently. The figure and facial likeness are so close, so personal and I am so very aware of them, that I feel I must work within their confines […]
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Inez Storer, an imagined surreal journey My work usually has an aspect of implied history, both through the use of the figure as well as objects that are a part of my “home” collections. The figures have a tendency to be slightly off balance, or passing from one reality to another. The absurd is of
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Marcelle Hanselaar, who we are when the mask is off Recently the Metropolitan Museum of art in New York acquired the complete set of Marcelle Hanselaar’s The Crying Game prints, the Ashmolean Museum in Oxford, UK and the Fitzwilliam Museum in Cambridge, UK also own a set. The Fitzwilliam Museum is planning an exhibition with
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Nigel Cox, photorealistic oil paintings, views from above Nigel Cox was a previous finalist in the prestigious Royal Society of Portrait Painters Annual Exhibition in 2007, 2008, 2009, 2010, 2012, and has exhibited with the Royal Institute of Oil Painters 2010, 2015 and The Discerning Eye Prize.Based in London, UK he shows internationally with recent
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Kat Moser explores the potency of the female form, photography Award-winning photographer Kat Moser explores the potency of the female form and the otherworldly aspects of earth and water through her elegant, ethereal and often enigmatic photographs. By envisioning age-old cultural narratives first experienced in fairy tales, mythology and legends, Moser allows the viewer to
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Toni Belobrajdic, passionate abstract figurative paintings Born in Croatia in 1958, Toni Belobrajdic is a full-time figurative artist. He started exhibiting in late seventies and had his first solo show in 1983, Croatia. Toni relocated to New York in 1987 where he continued his art practice. He has been living and working as a Freelance
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Jaclyn Garlock, figurative painting, a little humor daily Large color and dominant imagery are the main elements in my work. I want strong primary colors and images that are in your face, subjects that are larger than life. Every image should speak for itself and make you stare because you know someone who’s been there.
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David Mayernik, working in the way of the Old Masters The classical art of the Renaissance tradition is rooted in drawing. It is this fundamental skill that allows the painter to design buildings, the designer to sculpt, the craftsman to compose. Opera sets, frescoes for theaters and churches, painted doors and frame designs; grisaille, gouache,
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