David Mayernik, working in the way of the Old Masters The classical art of the Renaissance tradition is rooted in drawing. It is this fundamental skill that allows the painter to design buildings, the designer to sculpt, the craftsman to compose. Opera sets, frescoes for theaters and churches, painted doors and frame designs; grisaille, gouache, […]
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Toni Armstrong, figurative painting from New Zealand When I am working in abstract, I tend to have a theme that is current in mind. I find objects that reflect that thought and disassemble and reassemble using shapes. It is very organic and when it reassembles it is always in the form of the original subject
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Barbara Harrison, new works, Migration, Work & Ritual The Migrations Modern migrations recall the ancient migrations; people Moving To a place or Moving Away From a place. There, but for good fortune, go you or I. Migrations can be a physical movement, but can also be an emotional movement. Seeing photographs of current migrations, I
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Annette Nieukerk, mixed media in praise of older women BIO Now in her fifth decade of art practice, Annette has had a varied career spanning disciplines, media and genre. As a young artist, she depicted the prairie landscape using silkscreen printing as her medium of choice. Then in mid career, Annette became passionately involved in
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Judy Pilarczyk, narrative realism paintings of people Specializing in oil painting and works in pencil, Judy has received an MA from The Eugeniusz Geppert Academy of Art and Design in Poland. Since graduating she has exhibited internationally as part of group displays. As a member of the Polish Plein-Air Painting society, she takes part in
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Archil Pichkhadze, painting is the act of looking MAKING A PAINTING I am in love with the visual world. For me, the most important part of making a painting is the act of looking. Careful observation leads to sustained moments of clarity. In these moments I can move beyond preconceptions, experiencing all things mundane as
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Katha Rossein, figurative archival dye sublimation on metal Studying Fine Arts at NYU during the late 1960’s was a time fraught with political movements both from the anti war movement to civil rights to the woman’s movement and my training as both a painter and print maker quickly combined using figurative expression to speak to
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Carole Belliveau, strongly rooted in renaissance religious iconic art with gold leaf My Inspiration is grounded in the spirit of the natural world. My paintings depict the beautiful, ethereal, sacred and eternal as a visual counterpoint to the profane in contemporary culture. The idealized child is a frequent symbol of this vision. Like a sprite
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